I was not very loquacious throughout the PoN half of the slog. I'll try to put forward more thoughts as we advance through this one.
Eyes rolling, they stared in lust and apprehension...
Men.
Perhaps it's the amount of Michael Haneke's cinema I've been consuming lately, but something about the very beginning of TJE gives me the initial impression that the Sranc are, in many ways, a grotesque distortion of the negative qualities in Men. Afterwards, the anonymous traveler reflects on how the scalpers are like animals. I feel the passage I've quoted and what immediately follows, including the tone throughout the scene with the traveler, do suggest that there are many parallels between the Skin Eaters and their prey. I'll even stick my fingers into the pot of wild speculation and say that afterwards, Bakker might be deliberately mentioning other typical conceits of violent men when he states that Ironsoul is as jealous of his voice as he is of his women and his blood.
(
edit: to clean up my thoughts there a bit, what I mean here is that re: the feminism threads, another key concept in the series is Bakker's portrayal of this objectively, metaphysically hypermasculine world and all the terrible shit that involves, which would be the reason behind a juxtaposition of Men and Sranc to begin with)
Regarding the traveler's identity, I don't think he's anything more than the secondary character he appears to be. A red herring if he was intentionally meant to sow the question of who he is. Mostly I think he's just a convenient vehicle for the scene and, authorially, an easy way of introducing us to changes in the setting since the end of TTT.
Regarding Kelmomas' voice, I've reviewed the theories that have been suggested on the forum and the one I like the most is that the voice is Ajokli. I feel like I read another quote somewhere (besides, obviously, the prologue) that really put me behind the idea... besides, I think it fits into the framework of the other ways we've seen the subtle influence of the Hundred: Cnauir, Sorweel, and Psatma.
Regarding MSJ's points:
As you know, I'm of the opinion that Akka's dream are unfiltered truths straight from Seswatha. I believe Nayu is Ses's son and this is merely Seswatha providing Akka with little truths to get him to follow the dreams. Akka is the direct hand of Seswatha in these events. I also don't see where this makes him at odds with Kellhus.
Later on, we receive in-universe confirmation that all of Akka's dreams have secondary interpretations relating to their contexts and other secondary meanings. Here I believe we are glimpsing the suggestion that not only did Seswatha father Nau-Cayuti, but potentially that he created the Dunyain and consequently Kellhus.
This ties deeply into my interpretation of some of the biggest questions in the series, among them the No-God itself. I believe Nau-Cayuti's fate-worse-than-death is suggested in the [ex-TUC] excerpt, and that it was to become the No-God, the first self-moving soul that deconstructs the soul itself by dissolving its 'meaning' on a metaphysical level. I arrived at this conclusion after contemplating the series and what I understand of Bakker's philosophy as written on his blog, so your mileage may vary wildly.
So...... is he a liar? The million dollar question, no? After his exchange with Moe, I truly believe that whatever Kellhus is trying to accomplish, he believes is truly best for Mankind. Now, as Locke has pointed out many times, Kellhus is not always correct in his assumptions. So, what he thinks is best, might not be.
Along the same line as my previous thought, I feel there are multiple Nau-Cayuti / Kellhus parallels. I believe he was unknowingly turned into the No-God, and that Kellhus is on his way to Golgotterath because he truly believes he can harness the power of the No-God in a better way. IMO the narrative definitely indicates that Kellhus believes himself a genuine savior, basically re: everything relating to "The trial has broken you."
Also, per the influence of the gods, it was mentioned
here on this very forum that Scott once dropped a comment about the Womb Plague & Yatwer being tied by irony. I believe Wilshire is spot on when he suggests that the irony here is the Womb Plague being an ironic byproduct of immortality and Yatwer ironically trying to murder Kellhus, the only being capable of stopping the rise of the No-God, because the gods are blind to the No-God's existence.
That pretty much sums up my thoughts so far.